Résumé of Caffyn Kelley

Caffyn Kelley Home

Biography

Résumé

 

Fabric Art

Queer Images

Community Quilts

 

 

Environmental Projects

 

 

Writing and Publishing

 

     for further information contact Caffyn Kelley at cjk@saltspring.com       

Summary

Caffyn Kelley’s work in various media is united by a concern for social issues and community process. Her art links issues of identity and difference to environment and society. In public projects, plus writing and publishing, she explores these issues in community contexts. Kelley has written on art and ideas for a variety of scholarly and general interest publications, spoken at academic conferences, and facilitated many workshops on social and public art.  

Selected Community Projects

ongoing. Caffyn is a founding director of the Islands Institute of Interdisciplinary Studies where she facilitates projects, designs and teaches courses and moderates dialogue.

2005. Japanese Garden Project. (ongoing) Caffyn is a founding director of this community project to create a public space on Salt Spring Island where the history of Japanese Canadian pioneers is acknowledged, and the transforming power of Japanese design is celebrated. This project has involved working with a high school class to create artworks documenting the history of the Japanese Canadian community on Salt Spring, coordinating over 60 volunteers, and other aspects.

2005. Life Mapping Project. A community art research project undertaken for the first-ever Salt Spring Island Pride Celebration, addressing the question: "How can gay and lesbian lives be mapped and shared in a way that is empowering for participants and the community?"

2002. Tideline. Artist in residence project for the Roundhouse Community Centre, Vancouver. This project engaged two hundred participants in exploring the shoreline of False Creek, documenting its history and imagining its future in a mixed-media environmental art installation.

2001. Trout Lake Community Mapping Project. Artist in residence project for the Trout Lake Community Centre, Vancouver. This project involved working for over a year with school and community groups to map nature and natural history at Trout Lake, creating 30 complex artworks and a 400-foot environmental sculpture commemorating a buried creek.

2001-2. Islands in the Salish Sea Community Mapping Project, Mapmaker and Project Coordinator, Salt Spring Island. The book which documents this project has been nominated for a BC Book Award.

1997-2000. Freedom from Fear. Salt Spring Women Opposed to Violence and Abuse, Artist on community project working with young people to produce a book on violence prevention.

1998. Union. Project for the Office and Professional Employees International Union to create a quilt and a design for two pamphlets celebrating the power of collective action.

1995-6. Social Fabric: The Kensington Community Quilt. Artist in residence project for the Kensington Community Centre in Vancouver. This project involved many workshops at local schools and at the centre, resulting in the production of a huge quilt created with the involvement of hundreds of community members.

 

Selected Articles and Publications

ongoing: Web design and writing for the Islands Institute

2007: Reading and Writing (Women) on the Land

2007. Virtual Team Leader, producing instructional website on Adopting a Pound-Hound

2006. Design Patterns for online learning

2006. Art and survival: Patricia Johanson’s environmental projects. Islands Institute.

2005. Queer Cartographies: Mapping Gay and Lesbian Lives.

2005. Thinking Nature

2005. Looking at shoes: critical postmodernism in visual art.

2005. Addressing Homophobia through Distance Education: Possibilities for BC Schools

2004. “Diana Thompson’s Alluvion.”  Catalogue essay on this environmental artist.

2004. A Dictionary of Symbols

2003. Orientation: Mapping Queer Meanings

2002. “Spirit, Faith Religion: Queer Views.”  Pink Sheep News, Salt Spring Island.

1999. Gay And Lesbian Health on Salt Spring Island: A Resource for Healthcare Providers.

1995. “Creating Memory: Contesting History: Inside the Monstrous Fact of Whiteness.” Matriart. Vol. 5 #3. The publication omitted a crucial section of the essay which has now been restored (2006).

1995. “Family.”  To Sappho, My Sister: Lesbian Sisters Write About Their Lives. Ed. Lee Fleming. Charlottetown: gynergy books.

1995.  “Art and Life,” Rethinking Marxism: A Journal of Economics, Culture and Society. Spring.

1995. “Broken Silence, Visible Wounds: Canadian Artists Explore Social Space with Contradictions Intact.” High Performance, Los Angeles, #69/70, p. 48-53.

1994. “Queer / Nature: Be Like Water.” Undercurrents: a Journal of Critical Environmental Studies. June.

1994. Editor: Give Back: First Nations Perspectives on Cultural Practice. North Vancouver: Gallerie Publications.

1994. Editor: Forbidden Subjects: Self-Portraits by Lesbian Artists. North Vancouver: Gallerie Publications.

1993. “Feminism and Art in Vancouver: Time for Change,” Modernism and Beyond: Women Artists of the Pacific Northwest. Eds. Laura Brunsman and Ruth Askey, Midmarch Arts Press: New York, 1993.

1992. “Sexual Subject, Sexual Object.” Resources for Feminist Research (Rfr/drf), Vol. 19, No. 3/4.

1992. “Art for the living world: a conversation,” Art and Survival: Creative Solutions to Environmental Problems by Patricia Johanson, Gallerie Publications.

1992. “Pricing fine art.” The Artist’s Magazine. July.

1991. “An artist’s guide to finding the right dealer.” The Artist’s Magazine.

1991. “Failure and rejection: making it through the hard times.” Artists’ News. June 1991.

1991. Editor: In My Country: Artists on Canada, North Vancouver: Gallerie Publications.

From 1988 to 1993, Caffyn Kelley edited and wrote numerous articles for a quarterly publication of women artists, Gallerie. From 1989 – 1993 she edited and wrote for Artists’ News. She currently edits and writes articles for Pink Sheep News, the Salt Spring Island queer community newsletter.

 

Selected Conferences, Workshops and Lectures

2003. “Queer Alchemy: Using Homophobic Stereotypes as a Source of Power,” talk and interactive collage-making workshop given at Rainbow Visions: Building a Pan-Canadian Queer Agenda, Montreal, hosted by EGALE Canada.

2002. “Tideline” workshops including False Creek History, Creating a Personal Iconography, Mapping. Roundhouse Community Centre, Vancouver.

2001. “Trout Lake Community Mapping Project” workshops including What is a Map?, Barefoot Mapping, Lake Stewardship, Queer Nature, Natural History of Trout Lake, Bowl as Map / Bowl as Metaphor, Habitat Restoration. Workshops given at the Community Centre and two Vancouver schools (Grades 4-6; Grades 8-10).

1995. “Culture without borders, culture without location – Gay and Lesbian Art Books in Canada.” Lecture on publishing as public art, San Antonio, Texas, College Art Association.

1995. “Lesbian / lesbian.” Women’s Caucus for Art, College Art Association Conference, San Antonio, Texas.

1995. “Social Fabric: the Kensington Community Quilt” workshops including Design and Drawing with Fabric, Photography on Fabric, Appliqué, Self-Portraits. Given as part of the community interaction process at the Kensington Community Centre and 3 Vancouver schools, classes from kindergarten to Grade 7.

1995. Lecture, “Creating Memory: Contesting History,” on issues of race and whiteness in public art memorials, Simon Fraser University, Conference on Fascism.

1994. Art and Healing: workshop presented at Simon Fraser University conference on Healing and the Creative Arts.

1994. Social Art/Public Art, 5-week workshop for senior artists presented at the grunt gallery, Vancouver.

1993-4. “Women Artists and cross-cultural collaborations,” workshop and discussion group at the Seymour Art Gallery.

1990. “Tracing Threads: Persistent Themes in Women’s Art,” lecture at the Rosemont Gallery, Regina. Facilitator: “Feminist / Artist,” daylong workshop for women artists.

1990. “Creating a Small Magazine.” Selkirk Community College, Castlegar, B.C.

Selected Exhibitions

2001-2003. Islands in the Salish Sea Community Mapping Project, exhibited in 17 venues including several Gulf Islands, Vancouver and Sidney.

2002. Free Flow. Curated by Elizabeth Kidd. Roundhouse Community Centre, Vancouver.

2001. Trout Lake Community Mapping Project. Exhibition at the Trout Lake Community Centre, Vancouver.

2000, 2001. Fibrations. Artspring, Salt Spring Island.

1994-2001 Giving Voice: A monument in Progress. Plans and drawings for a public art project included in an exhibition that traveled across Canada to various venues including the Royal Ontario Museum, the Nickel Arts Museum, Calgary, Vancouver Art Gallery, and many other public institutions.

ongoing. Caffyn Kelley is represented by the J. Mitchell gallery on Salt Spring Island.

 

Selected Artist’s Books

2002. Trout Lake Atlas: Report on the Trout Lake Community Mapping Project, 120 pages. Published with the assistance of the Vancouver Parks Board.

1996. Social Fabric: the Kensington Community Quilt, 80 pages. Published with the assistance of the Vancouver Parks Board.

1995. Like a Rock: Meditations on Place, 80 pages. Published with the assistance of the North Vancouver Community Arts Council and the Canada Council Explorations Program.

1995. Social Fabric: Art and Community, 250 pages. Produced with the assistance of the Canada Council Explorations Program.

 

Education and Employment

Master of Arts in Interdisciplinary Studies Program, Athabasca University: current student

Simon Fraser University, Bachelor of General Studies, 1982. Graduating Thesis in Fine Art and History. (Winner, Open Scholarships for academic achievement, each semester of full-time study.)

Vancouver Community College, Certificate in Printing Production, 1983 (Winner, Printing House Craftsmen’s Award for all-round excellence)

Continuing Studies including: Studio Courses on Salt Spring Island, at Capilano College and Emily Carr College of Art and Design in Vancouver, and the Olden Photography Workshops, New York; Art Writing Intensive, Vancouver Art Gallery; Teaching Techniques and Conflict Resolution, The Justice Institute, New Westminster, B.C.; Barefoot Mapping, Saltspring Conservancy Workshop with Briony Penn; Mapmaking Fundamentals, special workshop for Islands in the Salish Sea project coordinators.

Work as a business writer, editor and graphic artist (1980 to the present); printing estimator and production planner for a large Vancouver commercial print shop (Hazeldine Press, 1983-1988). Teaching Printing Production at Vancouver Community College, 1984-1988.

Selected Awards

Canada Council Explorations Program Grant

Canada Council Travel Grant

North Vancouver Community Arts Council Award

Barbara Deming Fund/ Money for Women

Vancouver Club of Printing House Craftsmen’s’ Award

Simon Fraser University Open Scholarships